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Plain-English definitions

IMAX glossary

The shortest accurate definition of every technical term used on this site.

Film gauge, frame shape, projector, screen, and marketing program are different concepts. The glossary keeps them separate.

If a term still does not settle what a ticket buys, check the format comparison, venue record, and film record together.

Definitions

2K and 4K

Common digital-cinema raster classes. Two overlaid projectors do not add their horizontal pixel counts into one wider raster.

5/70

Conventional 70mm projection. The print runs vertically and advances five perforations per frame. It is not an IMAX projection system.

15/65

The camera-negative format for horizontal IMAX film. The stock is 65mm wide and advances fifteen perforations per frame.

15/70

The audience-facing IMAX film format. A 70mm release print runs horizontally and advances fifteen perforations per frame.

65mm

The negative stock normally used for large-format photography. Release prints are commonly 70mm wide.

70mm

The release-print width used by both conventional large-format projection and IMAX film. The perforation count and travel direction identify which one.

Anamorphic

An optical process that squeezes a wide scene onto a narrower film or sensor area, then expands it for viewing.

Aperture

The physical opening that defines the exposed or projected image area. Camera and projector apertures are related but not identical.

Aspect ratio

Picture width divided by picture height. At equal width, a smaller ratio produces a taller image.

CoLa

Community and industry shorthand for IMAX Commercial Laser, the single-projector multiplex configuration. IMAX normally markets it simply as IMAX with Laser.

DCI

Digital Cinema Initiatives, the studio consortium whose system specification defines interoperable digital-cinema mastering and exhibition requirements.

DCP

Digital Cinema Package, the standardized set of picture, sound, subtitle, and metadata files delivered to a digital cinema server.

DLP Cinema

Digital projection technology built around a micromirror imaging device. IMAX xenon systems use modified DLP Cinema projectors.

DMR

Digital Media Remastering, IMAX’s process for preparing a separate picture and sound version for its theatres. It is not a camera format.

Dome

A tilted hemispherical screen that surrounds much of the audience. Dome projection uses fisheye optics and mapped imagery rather than a normal flat rectangle.

Expanded ratio

A taller composition supplied for some or all of an IMAX presentation. It reveals more vertical image only when the source and master contain it.

Field of view

The angle occupied by the screen from a seat. It changes with screen width and viewing distance.

Filmed for IMAX

IMAX’s production and mastering program for approved film or certified digital cameras. The label does not by itself specify the cinema projector.

Gauge

The nominal width of a strip of film. Gauge alone does not tell you frame size because orientation and perforations per frame also matter.

GT

Grand Theatre, IMAX terminology associated with purpose-built giant-screen systems. GT Laser is the dual-projector digital configuration capable of the full-height flat frame.

Laser XT

A lower-cost single-projector IMAX laser configuration for the common digital frame. Public technical documentation is less complete than for GT Laser.

Letterboxing

Unused bands above and below a wide image when it is shown inside a taller screen or canvas. The bands preserve the supplied composition.

Masking

Curtains or movable panels that hide unused parts of a cinema screen. Many modern premium rooms instead leave unused screen visible.

OMNIMAX

The original name for IMAX’s dome presentation. IMAX Dome is the current general name for the same basic concept.

Open matte

A taller version derived by using image area above and below a wider theatrical crop. It can create a taller IMAX master without IMAX camera capture.

Perf

Short for perforation, one of the holes along film used to transport and register it. The number per frame helps define a film format.

PLF

Premium large format, the cinema-industry category for upgraded large-screen experiences. It includes IMAX and competing branded or chain-owned formats.

Rake

The upward slope of seating rows. A steeper rake can preserve sightlines in front of a tall screen.

Rec. 2020

An ITU recommendation defining parameters for ultra-high-definition television, including a wide colour-gamut container. A projector may cover only part of it.

Resolution

The spatial detail a system can reproduce. Digital projectors have a pixel raster. Film does not have a native pixel count.

Rolling loop

The IMAX film-transport mechanism that forms moving loops, advances a large frame, and registers it steadily at the aperture.

Scope

The common modern wide theatrical image, conventionally described by the SMPTE projector-aperture ratio stored on this site.

Throw

The distance from the projection lens to the screen. It is a room-layout measurement, not the audience viewing distance.

Xenon

A bright arc-lamp light source. IMAX Digital xenon uses two overlaid digital projectors and the common digital frame.

Sources